主演：杰登·马泰尔,艾西斯·海恩斯沃斯,阿德里安·格林斯密斯,乔·曼根尼罗,布伦特·吉尔曼,苏芙·布莱德肖,米歇尔·毛,约瑟夫·贝尔托特,凯蒂·麦克凯布,泰迪·范·依,凯尔·斯托尔茨,Troy Oelke,Katie O'Grady,Noah Urrea,A. Brian Daniels,Parker Hall,Analesa Fisher,Mike D Harris
主演：阿萨·巴特菲尔德,尼克·奥弗曼,亚历克斯·沃尔夫 Alex Wolff,艾伦·伯斯汀,茉德·阿帕图,麦可拉·沃金丝,Alec George,Valerie Rose,J. Vasko-Bezenek,Paul Cram,Karla Álvarez,Ryan J. Gilmer,Dallas Hildie Smith,Matt Lindholm,Steven Segelstrom II
简介：The film tells futurist, architect, and inventor R. Buckminster Fuller's incredible story through two teens hoping to get laid, become punk gods, and survive high school.
简介：Locked in her flat for several years, a reclusive young woman stumbles upon a mysterious web community. According to an urban myth, the Suicide Club grants death to those wishing for it. Unless these cyber suicides are actually murders.
简介：弗莱迪（罗伯特·英格兰德 Robert Englund 饰）将榆树街孩子残杀殆尽，只留下约翰一人，约翰在梦中重返榆树街，历经梦中的混乱后被丢弃在陌生的城镇。在“青年之家康复中心”里，一群问题少年斯宾塞、翠西等人正接受教师玛姬（丽萨·赞恩 Lisa Zane 饰）的管理与矫正，失去记忆的约翰也被发现后送到了这里，玛姬发现约翰和自己的梦境相关联，他们有同样的关于榆树街的记忆。为调查真相，玛姬与约翰驾车来到没有一个孩子的春木镇，而翠西等三个少年也偷偷爬上车跟来了这里。翠西等人在榆树街的老宅中遭遇了弗莱迪的梦中追杀，另一边，玛姬与约翰却发现了弗莱迪的真实身份，更惊人的是，玛姬居然是弗莱迪的女儿……
简介：Mother, father and sister visit the adult son in the family in his small apartment for a dinner. The father gives one critical view after the other about his sons life.
简介：Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.