简介： 盖尔·加西亚·贝纳尔将主演帕布罗·拉雷恩([第一夫人])执导的[厄玛](Ema，暂译)，吉列尔莫·考尔德隆([追捕聂鲁达])与亚历杭德罗·莫雷诺(Alejandro Moreno)共同操刀剧本，其他加盟的卡司包括玛丽安娜·迪·吉罗拉莫(Mariana Di Girolamo)、桑地亚哥·卡布瑞拉(《大小谎言》)。加西亚与玛丽安娜饰演一对夫妻，在经历了一场收养后，整个家庭都分崩离析。这也是继[智利说不]、[追捕聂鲁达]之后加西亚与帕布罗第三度合作。影片已在智利开拍。
简介：Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
简介： 影片根据加拿大作家Jane Rule创作的小说“Desert of the Heart”改编而成，背景设置于美国许多地方不允许离婚的1950年代。主人公之一是35岁的英文教授薇薇安，她为了离婚来到法律相对宽容的内华达州雷诺市，暂住在一间农场为离婚官司和流程做准备。严肃的薇薇安因此结识了农场主弗兰西丝的继女凯伊，凯伊比她年轻10岁，平时在赌场打工，是一个对取向不做掩饰的活泼女性。尽管薇薇安意识到自己被凯伊所吸引，她还是对开始这段关系有所顾虑，不确定自己是否做好了和同性在一起的准备。与此同时，被继母弗兰西丝依赖着的凯伊则意识到：薇薇安就是她等待已久的命中注定之人。1985年，成本仅35万美元的《爱的甘露》正式公映，成为了第一部大规模公映的女同爱情长片，它的美好、幽默和对女性情欲的坦荡表达不仅征服了无数观众的心，也让很多人意识到两个女性的爱是可能的，而且并不总以悲剧结尾。这部叫好又叫座的先锋作为日后涌现的更多女同作品铺平了道路。《爱的甘露》（Desert Hearts）是一部于1985年上映的美国电影，由唐娜·戴奇执导。该片改编自简·鲁尔的小说《爱的甘露》，并由Natalie Cooper和简·鲁尔共同编剧。电影的主要演员包括帕特里夏·沙本诺（Patricia Charbonneau）和海伦·夏弗（Helen Shaver）。故事发生在1950年代的内华达州雷诺。剧情围绕着一个叫做维维安（Vivian）的年轻女子展开。她是一个自由散漫、自主独立的女性，前来雷诺为了在当地大学担任教职。在雷诺，维维安住进了一个小旅馆，她的房间正好对着一个赌场。维维安在旅馆里遇到了一个名叫凯（Cay）的女子，凯是一个自由奔放的赌徒和艺术家。两人开始相互吸引，并逐渐建立了深厚的友谊。然而，随着时间的推移，她们的友谊逐渐演变成了一段深入的感情。在当时的社会背景下，同性之间的感情是被视为不被接受的。维维安的感情挣扎和内心冲突成为了电影的核心。她必须决定是否追随自己的内心，放弃社会的偏见和压力，接受自己的真实感情。《爱的甘露》以其真实而温暖的描绘赢得了观众的赞誉。影片在处理同性恋题材时采用了真挚而平实的方式，强调个人的自由和追求幸福的权利。维维安和凯之间的爱情被描绘得非常动人和感人，为同性恋关系在电影中的呈现树立了新的标杆。这部电影也因为其出色的表演和扎实的剧本而备受赞誉。帕特里夏·沙本诺和海伦·夏弗的精彩演绎赋予了角色真实的情感和复杂的内心世界。
主演：扎克·埃夫隆,莱斯利·曼恩,托马斯·列农,马修·派瑞,Tyler Steelman,艾莉森·米勒,斯特林·奈特,米歇尔·崔切伯格,亚当·格雷戈里,亨特·帕瑞施,卡特琳娜·格兰厄姆,蒂娅·希尔卡,梅丽莎·奥德维,梅罗拉·哈丁,布赖恩·道尔,Josie Loren,吉姆·加菲根,Randy Gordon,科莱特·沃夫,汤米·杜威,琳达·米勒,罗娜·斯科特,埃利斯·威廉姆斯,戴安娜·玛丽亚·里瓦,Antonio Lewis Todd,阿克曼,Will Schaub,罗伦·莱斯特,Alexander George
主演：朱丽叶塔·马西纳,马塞洛·马斯楚安尼,佛朗哥·法布里齐,Friedrich von Ledebur,Augusto Poderosi,Martin Maria Blau,迦克·昂利·拉帝格,Totò Mignone,埃齐奥·马拉诺,安托万圣约翰,弗里德里希·冯·图恩,Antonino Iuorio,芭芭拉·斯科帕,Elisabetta Flumeri,塞尔瓦托雷·比拉,Vittorio De Bisogno,Laurentina Guidotti,Danika La Loggia,赫尔曼·维斯科夫,Pin
简介：An amiable picture about entering adulthood, great dreams, and the first - forbidden - love of a white postman, Jakub, and a pretty Gypsy girl, Jolanka. This is a poetic story, a mosaic of the playful world springing from the wild imagination of the village postman and its clash with the pragmatic mundane reality that finally beats the rosy dream's of the young protagonists. Director Dusan Hanak and screenwriter Dusan Dusek's most popular film has been cherished by critics as well as wide audiences at home arid abroad.