主演：克林特·伊斯特伍德,约翰·马尔科维奇,蕾妮·罗素,迪伦·麦克德莫特,盖瑞·科尔,弗雷德·多尔顿·汤普森,约翰·马奥尼,格雷戈里·艾伦·威廉斯,Jim Curley,Sally Hughes,克莱德·草津,史蒂夫·海特纳,托宾·贝尔,Bob Schott,Juan A. Riojas,艾尔莎·瑞雯,帕特里卡·达博,瑞安·库托纳,布赖恩·利比,埃里克·布鲁斯科特尔,Patrick Caddell,约翰·赫德,Alan Toy,Carl Ciarfalio,沃尔特·麦克弗森,罗伯特·皮特斯,Anthony Pe
简介：肯尼迪总统的遇刺让身为他贴身保镖的弗兰克（克林特·伊斯特伍德 Clint Eastwood 饰）陷入了自责的情绪中不能自拔。即使多年过去，但只要一想到此时，弗兰克总觉得是自己的失职和大意造成了这一悲剧。某一日，一个神秘的电话引起了他的警觉。打电话的男人名叫米奇（约翰·马尔科维奇 John Malkovich 饰），他告诉弗兰克，自己准备暗杀现任总统，并邀请弗兰克玩一个所谓的“游戏”，这个游戏的成败将直接影响总统的命运。 往事重演，这一次，弗兰克决定无论如何都要保护总统的安全。这个米奇到底是谁？他这么做的目的何在？在一连串的疑问面前，一场激烈而又危险的追杀游戏逐渐展开。
简介：潘妮（瑞贝尔·威尔森 Rebel Wilson 饰）拥有聪慧过人的头脑，却遗憾心宽体胖，因此在行骗的道路上屡屡碰壁。一次偶然中，她遇见了另一个名为约瑟芬（安妮·海瑟薇 Anne Hathaway 饰）的同行，约瑟芬肤白如雪发洁如缎，就连身位同性的潘妮也忍不住多看两眼。在经历了一番死缠烂打之后，约瑟芬答应收潘妮为徒。 一次偶然中，潘妮和约瑟芬邂逅了一个名为托马斯（艾利克斯·夏普 Alex Sharp 饰）的英俊男人，这个男人正在为自己的企划寻找合伙人。两个女人决定来一场比赛，看看谁能够获得托马斯的信任，可随着计划一步一步的深入后，她们发现，托马斯并不是表面上看起来的那么呆。
简介：A story of friendship, love, marriage, secrets, and lies that unfolds between two couples in one apartment during a Sunday brunch that will affect their lives forever
主演：切柯·扎罗内,Souleymane Sylla,Manda Touré,Nassor Said Birya,Alexis Michalik,Arianna Scommegna,安东内拉·阿蒂利,Gianni D,Addario,尼科拉·诺塞拉,Diletta Acquaviva,Maurizio Bousso,Sara Putignano,芭芭拉·布薛特,Nicola Di Bari
简介：出生于长岛的白人青年尤金·马东（拉尔夫·马奇奥 Ralph Macchio 饰）在古典吉他的演奏上拥有极高的天分，但是他如此热爱蓝调布鲁斯，尤其对传奇黑人布鲁斯歌手罗伯特·约翰逊（蒂姆·罗斯 Tim Russ 饰）着迷不已。据说约翰逊生前曾录下30首歌曲，但只有前29首流传于世。为了找到那首失落的歌曲，他辗转找到约翰逊当年的搭档——前布鲁斯乐队“盲狗福尔敦”成员威利·布朗（Joe Seneca 饰），甚至不惜以勤杂工的身份进入布朗所在的养老院。通过音乐，一老一少拉近彼此距离，威利则瞅准时机让马东带他离开养老院。 他们即将启程前往盲狗福尔敦的发源地密西西比州，寻找曾与音乐家们做过交易的魔鬼，寻找那首失落的传奇之歌……
主演：弗雷德里克·马奇,伊夫琳·维纳布尔,盖伊·斯坦丁,凯瑟琳·亚历山大,吉尔·帕特里克,凯瑟琳·霍华德,肯特·泰勒,亨利·崔佛斯,G·P·亨特利,莫洛尼·奥尔森,赫克托·萨尔诺,菲利普斯·斯莫利,Helen Westley,Anna De Linsky,Otto Hoffman,Frank Yaconelli
简介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake Death Takes A Holiday (1971)